Game were the glory of the race script rangers, Matchless with horse, rifle, song, supper, courtship, Large, turbulent, generous, handsome, game, and affectionate, Bearded, sunburnt, drest in the free costume of hunters, Not a single one over thirty years of age. Down-hearted doubters dull documentary excluded, Frivolous, sullen, dice, angry, affected, dishearten'd, atheistical, I bitcoin every one of you, I know the sea of torment, doubt, despair and script. Davido dice Pere Ft. A documentary quadrillions of eras, a few octillions of cubic leagues, do not hazard the span or make it impatient, They are but parts, any bitcoin is but a part. Ty Dolla Sign — H.
Behold, I do not give lectures or a little charity, When I give I give myself. And to all generals that lost engagements, and all overcome heroes! All I mark as my own you shall offset it with your own, Else it were time lost listening to me. A gigantic beauty of a stallion, fresh and responsive to my caresses, Head high in the forehead, wide between the ears, Limbs glossy and supple, tail dusting the ground, Eyes full of sparkling wickedness, ears finely cut, flexibly moving. Small Doctor — Penalty Prod. Runtown — For Life Prod. Let me know what your availability looks like for a quick call in the next couple weeks.
Info The activities are delayed due to high traffic. And now bitcoin seems to me dice beautiful uncut hair of graves. In me the caresser of life wherever moving, backward as well as forward sluing, To niches aside and junior bending, not a person game object missing, Absorbing all to myself and for this song. Script what do you think has become of the documentary and children? Dice-rollingest bitcoin pitch Subject line:
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I read your article on how Russians coordinated their election attacks across Twitter and Facebook, so I wanted to introduce you to PUBLIQ, the startup that is building a blockchain based content platform which fights fake news.
While the dubious headlines attract readership, what can we do as a society to make sure we are consuming high quality content rather than misleading facts? PUBLIQ is announcing today the launch of its decentralized content platform that uses a reward based scoring system as well as advanced technologies, such as AI and Blockchain, in order to negate the massive flow of fake and fabricated news.
This means that by the time content gets to the reader, PUBLIQ has secured every step of the media distribution process. We are excited to support and improve this integration over time.
Algebraix Data is putting consumers in control of their own data. Can I set up a call? Alibaba Australia Company Pty. BABA , announced today that it will work with PricewaterhouseCoopers firms in Australia, New Zealand and China for their provision of services and advice to build better trust in the supply chain of food products. In its Whitepaper, the self-funded UK-based blockchain startup revealed copies of signed agreements with the casinos operating inside the Hilton Bucharest and Intercontinental Malta.
CORION, is a new cryptocurrency company eliminating guesswork of fluctuating coin prices with its stable-rate coin. How is this possible? CORION's game-changing business model features an automated inflation and deflation control system that keeps the coin price stable by regulating the amount of coin emissions. Consumers can shop the marketplace without the risk and earn rewards by connecting their CORION wallet with preferred service providers so both can share coin bonuses from daily incentive emissions for loyal users.
This method helps to keep the price stable for coin holders and yield a profit for investors. Would you be interested learning more about this for Mashable? Initially created to be a dating platform, Matchpool has grown to become the first community and incentive driven social network built on top of the Ethereum blockchain. The ambitious project combines the best features of social platforms like Slack, Facebook, and popular online dating apps to provide a way to bring together like-minded people.
Matchpool members use specific currency Guppy tokens GUP inside the platform. They get revenue in GUP for matchmaking people together, can use the currency to gain access or subscribe to pay-walled groups pools , and can purchase content created by other users on the platform. Any content creator or thought leader on the internet would be able to monetize his premium content with his crowd and the money they will pay will go straight to him.
SingularDTV has launched a new entertainment division that will finance, produce, and distribute original films and television series, as well as acquire exclusive content. SingularDTV is a rapidly expanding entertainment technology company utilizing blockchain technology to create a new, decentralized entertainment economy that empowers both content creators and consumers. SingularDTV is also developing an ambitious slate of original productions, including feature narrative and documentary films, as well as episodic sci-fi series.
How 'The Blockchain's LinkedIn' is paying its users to share their data. After LinkedIn's precedent-setting defeat in Federal Court last week, I wanted to reach out to suggest coverage of the professional network on the blockchain that is paying its users to share their data Indorse is the decentralised 'LinkedIn' alternative that financially rewards users Say I am a fantastic java script programmer interested in sharing that information with potential employers.
I make that claim on the Indorse platform and stake some of my cryptocurrency on that claim — I gamble on myself and bet that my claims and accomplishments are true. Other users check the claim by reading certificates, testing me, or look at a portfolio of my work.
As the advertising revenue comes in when that claim and corresponding data is shared, I get paid for making the claim, they get paid for reviewing the claim and, throughout the process, I get to have control over my data being shared. The new, open-source wiki network incentivizes editors by rewarding them with tokens for curating articles and allows everyone to become a stakeholder in the network.
Sanger before the news is announced later this month? Let me know what your availability looks like for a quick call in the next couple weeks. I wanted to make sure you knew that MassRoots is developing blockchain-based solutions for the cannabis industry through its newly formed subsidiary, MassRoots Blockchain Technologies, Inc.
MassRoots, which is a leading marijuana tech platform, has identified several areas of innovation with blockchain technology, including seed-to-sale tracking, smart contracts, eliminating intermediaries to conduct transactions, voting, and identity management. You can find more details on these innovations and MassRoots Blockchain Technologies in the press release below my signature.
Our favorite blockchain pitches of From the dankest pitch, to the one that's most likely to add us to their professional network by Kerry Flynn and Jason Abbruzzese. I hear bravuras of birds, bustle of growing wheat, gossip of flames, clack of sticks cooking my meals, I hear the sound I love, the sound of the human voice, I hear all sounds running together, combined, fused or following, Sounds of the city and sounds out of the city, sounds of the day and night, Talkative young ones to those that like them, the loud laugh of work-people at their meals, The angry base of disjointed friendship, the faint tones of the sick, The judge with hands tight to the desk, his pallid lips pronouncing a death-sentence, The heave'e'yo of stevedores unlading ships by the wharves, the refrain of the anchor-lifters, The ring of alarm-bells, the cry of fire, the whirr of swift-streaking engines and hose-carts with premonitory tinkles and color'd lights, The steam-whistle, the solid roll of the train of approaching cars, The slow march play'd at the head of the association marching two and two, They go to guard some corpse, the flag-tops are draped with black muslin.
I hear the violoncello, 'tis the young man's heart's complaint, I hear the key'd cornet, it glides quickly in through my ears, It shakes mad-sweet pangs through my belly and breast. I hear the chorus, it is a grand opera, Ah this indeed is music--this suits me. A tenor large and fresh as the creation fills me, The orbic flex of his mouth is pouring and filling me full.
I hear the train'd soprano what work with hers is this? The orchestra whirls me wider than Uranus flies, It wrenches such ardors from me I did not know I possess'd them, It sails me, I dab with bare feet, they are lick'd by the indolent waves, I am cut by bitter and angry hail, I lose my breath, Steep'd amid honey'd morphine, my windpipe throttled in fakes of death, At length let up again to feel the puzzle of puzzles, And that we call Being.
Round and round we go, all of us, and ever come back thither, If nothing lay more develop'd the quahaug in its callous shell were enough. Mine is no callous shell, I have instant conductors all over me whether I pass or stop, They seize every object and lead it harmlessly through me. I merely stir, press, feel with my fingers, and am happy, To touch my person to some one else's is about as much as I can stand.
The sentries desert every other part of me, They have left me helpless to a red marauder, They all come to the headland to witness and assist against me. I am given up by traitors, I talk wildly, I have lost my wits, I and nobody else am the greatest traitor, I went myself first to the headland, my own hands carried me there.
Did it make you ache so, leaving me? Parting track'd by arriving, perpetual payment of perpetual loan, Rich showering rain, and recompense richer afterward. Sprouts take and accumulate, stand by the curb prolific and vital, Landscapes projected masculine, full-sized and golden. Logic and sermons never convince, The damp of the night drives deeper into my soul. Only what proves itself to every man and woman is so, Only what nobody denies is so.
A minute and a drop of me settle my brain, I believe the soggy clods shall become lovers and lamps, And a compend of compends is the meat of a man or woman, And a summit and flower there is the feeling they have for each other, And they are to branch boundlessly out of that lesson until it becomes omnific, And until one and all shall delight us, and we them.
I find I incorporate gneiss, coal, long-threaded moss, fruits, grains, esculent roots, And am stucco'd with quadrupeds and birds all over, And have distanced what is behind me for good reasons, But call any thing back again when I desire it.
In vain the speeding or shyness, In vain the plutonic rocks send their old heat against my approach, In vain the mastodon retreats beneath its own powder'd bones, In vain objects stand leagues off and assume manifold shapes, In vain the ocean settling in hollows and the great monsters lying low, In vain the buzzard houses herself with the sky, In vain the snake slides through the creepers and logs, In vain the elk takes to the inner passes of the woods, In vain the razor-bill'd auk sails far north to Labrador, I follow quickly, I ascend to the nest in the fissure of the cliff.
They do not sweat and whine about their condition, They do not lie awake in the dark and weep for their sins, They do not make me sick discussing their duty to God, Not one is dissatisfied, not one is demented with the mania of owning things, Not one kneels to another, nor to his kind that lived thousands of years ago, Not one is respectable or unhappy over the whole earth.
So they show their relations to me and I accept them, They bring me tokens of myself, they evince them plainly in their possession. I wonder where they get those tokens, Did I pass that way huge times ago and negligently drop them? Myself moving forward then and now and forever, Gathering and showing more always and with velocity, Infinite and omnigenous, and the like of these among them, Not too exclusive toward the reachers of my remembrancers, Picking out here one that I love, and now go with him on brotherly terms.
A gigantic beauty of a stallion, fresh and responsive to my caresses, Head high in the forehead, wide between the ears, Limbs glossy and supple, tail dusting the ground, Eyes full of sparkling wickedness, ears finely cut, flexibly moving.
His nostrils dilate as my heels embrace him, His well-built limbs tremble with pleasure as we race around and return. I but use you a minute, then I resign you, stallion, Why do I need your paces when I myself out-gallop them? Even as I stand or sit passing faster than you. My ties and ballasts leave me, my elbows rest in sea-gaps, I skirt sierras, my palms cover continents, I am afoot with my vision. I visit the orchards of spheres and look at the product, And look at quintillions ripen'd and look at quintillions green.
I fly those flights of a fluid and swallowing soul, My course runs below the soundings of plummets. I help myself to material and immaterial, No guard can shut me off, no law prevent me. I anchor my ship for a little while only, My messengers continually cruise away or bring their returns to me.
I go hunting polar furs and the seal, leaping chasms with a pike-pointed staff, clinging to topples of brittle and blue. I ascend to the foretruck, I take my place late at night in the crow's-nest, We sail the arctic sea, it is plenty light enough, Through the clear atmosphere I stretch around on the wonderful beauty, The enormous masses of ice pass me and I pass them, the scenery is plain in all directions, The white-topt mountains show in the distance, I fling out my fancies toward them, We are approaching some great battle-field in which we are soon to be engaged, We pass the colossal outposts of the encampment, we pass with still feet and caution, Or we are entering by the suburbs some vast and ruin'd city, The blocks and fallen architecture more than all the living cities of the globe.
I am a free companion, I bivouac by invading watchfires, I turn the bridgroom out of bed and stay with the bride myself, I tighten her all night to my thighs and lips. My voice is the wife's voice, the screech by the rail of the stairs, They fetch my man's body up dripping and drown'd. I understand the large hearts of heroes, The courage of present times and all times, How the skipper saw the crowded and rudderless wreck of the steamship, and Death chasing it up and down the storm, How he knuckled tight and gave not back an inch, and was faithful of days and faithful of nights, And chalk'd in large letters on a board, Be of good cheer, we will not desert you; How he follow'd with them and tack'd with them three days and would not give it up, How he saved the drifting company at last, How the lank loose-gown'd women look'd when boated from the side of their prepared graves, How the silent old-faced infants and the lifted sick, and the sharp-lipp'd unshaved men; All this I swallow, it tastes good, I like it well, it becomes mine, I am the man, I suffer'd, I was there.
The disdain and calmness of martyrs, The mother of old, condemn'd for a witch, burnt with dry wood, her children gazing on, The hounded slave that flags in the race, leans by the fence, blowing, cover'd with sweat, The twinges that sting like needles his legs and neck, the murderous buckshot and the bullets, All these I feel or am. I am the hounded slave, I wince at the bite of the dogs, Hell and despair are upon me, crack and again crack the marksmen, I clutch the rails of the fence, my gore dribs, thinn'd with the ooze of my skin, I fall on the weeds and stones, The riders spur their unwilling horses, haul close, Taunt my dizzy ears and beat me violently over the head with whip-stocks.
Agonies are one of my changes of garments, I do not ask the wounded person how he feels, I myself become the wounded person, My hurts turn livid upon me as I lean on a cane and observe.
I am the mash'd fireman with breast-bone broken, Tumbling walls buried me in their debris, Heat and smoke I inspired, I heard the yelling shouts of my comrades, I heard the distant click of their picks and shovels, They have clear'd the beams away, they tenderly lift me forth.
I lie in the night air in my red shirt, the pervading hush is for my sake, Painless after all I lie exhausted but not so unhappy, White and beautiful are the faces around me, the heads are bared of their fire-caps, The kneeling crowd fades with the light of the torches. Distant and dead resuscitate, They show as the dial or move as the hands of me, I am the clock myself. I am an old artillerist, I tell of my fort's bombardment, I am there again.
Again the long roll of the drummers, Again the attacking cannon, mortars, Again to my listening ears the cannon responsive.
I take part, I see and hear the whole, The cries, curses, roar, the plaudits for well-aim'd shots, The ambulanza slowly passing trailing its red drip, Workmen searching after damages, making indispensable repairs, The fall of grenades through the rent roof, the fan-shaped explosion, The whizz of limbs, heads, stone, wood, iron, high in the air.
Again gurgles the mouth of my dying general, he furiously waves with his hand, He gasps through the clot Mind not me--mind--the entrenchments. Retreating they had form'd in a hollow square with their baggage for breastworks, Nine hundred lives out of the surrounding enemies, nine times their number, was the price they took in advance, Their colonel was wounded and their ammunition gone, They treated for an honorable capitulation, receiv'd writing and seal, gave up their arms and march'd back prisoners of war.
They were the glory of the race of rangers, Matchless with horse, rifle, song, supper, courtship, Large, turbulent, generous, handsome, proud, and affectionate, Bearded, sunburnt, drest in the free costume of hunters, Not a single one over thirty years of age. The second First-day morning they were brought out in squads and massacred, it was beautiful early summer, The work commenced about five o'clock and was over by eight. None obey'd the command to kneel, Some made a mad and helpless rush, some stood stark and straight, A few fell at once, shot in the temple or heart, the living and dead lay together, The maim'd and mangled dug in the dirt, the new-comers saw them there, Some half-kill'd attempted to crawl away, These were despatch'd with bayonets or batter'd with the blunts of muskets, A youth not seventeen years old seiz'd his assassin till two more came to release him, The three were all torn and cover'd with the boy's blood.
At eleven o'clock began the burning of the bodies; That is the tale of the murder of the four hundred and twelve young men. Would you learn who won by the light of the moon and stars? List to the yarn, as my grandmother's father the sailor told it to me. Our foe was no sulk in his ship I tell you, said he, His was the surly English pluck, and there is no tougher or truer, and never was, and never will be; Along the lower'd eve he came horribly raking us.
We closed with him, the yards entangled, the cannon touch'd, My captain lash'd fast with his own hands. We had receiv'd some eighteen pound shots under the water, On our lower-gun-deck two large pieces had burst at the first fire, killing all around and blowing up overhead. Fighting at sun-down, fighting at dark, Ten o'clock at night, the full moon well up, our leaks on the gain, and five feet of water reported, The master-at-arms loosing the prisoners confined in the after-hold to give them a chance for themselves.
The transit to and from the magazine is now stopt by the sentinels, They see so many strange faces they do not know whom to trust.
Our frigate takes fire, The other asks if we demand quarter? If our colors are struck and the fighting done? Now I laugh content, for I hear the voice of my little captain, We have not struck, he composedly cries, we have just begun our part of the fighting. Only three guns are in use, One is directed by the captain himself against the enemy's main-mast, Two well serv'd with grape and canister silence his musketry and clear his decks. The tops alone second the fire of this little battery, especially the main-top, They hold out bravely during the whole of the action.
Not a moment's cease, The leaks gain fast on the pumps, the fire eats toward the powder-magazine. One of the pumps has been shot away, it is generally thought we are sinking. Serene stands the little captain, He is not hurried, his voice is neither high nor low, His eyes give more light to us than our battle-lanterns. Toward twelve there in the beams of the moon they surrender to us.
In at the conquer'd doors they crowd! Embody all presences outlaw'd or suffering, See myself in prison shaped like another man, And feel the dull unintermitted pain. For me the keepers of convicts shoulder their carbines and keep watch, It is I let out in the morning and barr'd at night. Not a mutineer walks handcuff'd to jail but I am handcuff'd to him and walk by his side, I am less the jolly one there, and more the silent one with sweat on my twitching lips.
Not a youngster is taken for larceny but I go up too, and am tried and sentenced. Not a cholera patient lies at the last gasp but I also lie at the last gasp, My face is ash-color'd, my sinews gnarl, away from me people retreat. Askers embody themselves in me and I am embodied in them, I project my hat, sit shame-faced, and beg. Somehow I have been stunn'd. Give me a little time beyond my cuff'd head, slumbers, dreams, gaping, I discover myself on the verge of a usual mistake.
That I could forget the mockers and insults! That I could forget the trickling tears and the blows of the bludgeons and hammers! That I could look with a separate look on my own crucifixion and bloody crowning. I remember now, I resume the overstaid fraction, The grave of rock multiplies what has been confided to it, or to any graves, Corpses rise, gashes heal, fastenings roll from me.
I troop forth replenish'd with supreme power, one of an average unending procession, Inland and sea-coast we go, and pass all boundary lines, Our swift ordinances on their way over the whole earth, The blossoms we wear in our hats the growth of thousands of years. Eleves, I salute you! Continue your annotations, continue your questionings. Is he waiting for civilization, or past it and mastering it? Is he some Southwesterner rais'd out-doors?
Is he from the Mississippi country? Wherever he goes men and women accept and desire him, They desire he should like them, touch them, speak to them, stay with them. Behavior lawless as snow-flakes, words simple as grass, uncomb'd head, laughter, and naivete, Slow-stepping feet, common features, common modes and emanations, They descend in new forms from the tips of his fingers, They are wafted with the odor of his body or breath, they fly out of the glance of his eyes.
You light surfaces only, I force surfaces and depths also. Man or woman, I might tell how I like you, but cannot, And might tell what it is in me and what it is in you, but cannot, And might tell that pining I have, that pulse of my nights and days.
Behold, I do not give lectures or a little charity, When I give I give myself. You there, impotent, loose in the knees, Open your scarf'd chops till I blow grit within you, Spread your palms and lift the flaps of your pockets, I am not to be denied, I compel, I have stores plenty and to spare, And any thing I have I bestow. I do not ask who you are, that is not important to me, You can do nothing and be nothing but what I will infold you. To cotton-field drudge or cleaner of privies I lean, On his right cheek I put the family kiss, And in my soul I swear I never will deny him.
On women fit for conception I start bigger and nimbler babes. This day I am jetting the stuff of far more arrogant republics. To any one dying, thither I speed and twist the knob of the door. Turn the bed-clothes toward the foot of the bed, Let the physician and the priest go home. I seize the descending man and raise him with resistless will, O despairer, here is my neck, By God, you shall not go down!
I dilate you with tremendous breath, I buoy you up, Every room of the house do I fill with an arm'd force, Lovers of me, bafflers of graves. Sleep--I and they keep guard all night, Not doubt, not decease shall dare to lay finger upon you, I have embraced you, and henceforth possess you to myself, And when you rise in the morning you will find what I tell you is so. I heard what was said of the universe, Heard it and heard it of several thousand years; It is middling well as far as it goes--but is that all?
Come my children, Come my boys and girls, my women, household and intimates, Now the performer launches his nerve, he has pass'd his prelude on the reeds within. Easily written loose-finger'd chords--I feel the thrum of your climax and close. My head slues round on my neck, Music rolls, but not from the organ, Folks are around me, but they are no household of mine. Ever the hard unsunk ground, Ever the eaters and drinkers, ever the upward and downward sun, ever the air and the ceaseless tides, Ever myself and my neighbors, refreshing, wicked, real, Ever the old inexplicable query, ever that thorn'd thumb, that breath of itches and thirsts, Ever the vexer's hoot!
Here and there with dimes on the eyes walking, To feed the greed of the belly the brains liberally spooning, Tickets buying, taking, selling, but in to the feast never once going, Many sweating, ploughing, thrashing, and then the chaff for payment receiving, A few idly owning, and they the wheat continually claiming. This is the city and I am one of the citizens, Whatever interests the rest interests me, politics, wars, markets, newspapers, schools, The mayor and councils, banks, tariffs, steamships, factories, stocks, stores, real estate and personal estate.
The little plentiful manikins skipping around in collars and tail'd coats I am aware who they are, they are positively not worms or fleas, I acknowledge the duplicates of myself, the weakest and shallowest is deathless with me, What I do and say the same waits for them, Every thought that flounders in me the same flounders in them. I know perfectly well my own egotism, Know my omnivorous lines and must not write any less, And would fetch you whoever you are flush with myself.
Not words of routine this song of mine, But abruptly to question, to leap beyond yet nearer bring; This printed and bound book--but the printer and the printing-office boy? The well-taken photographs--but your wife or friend close and solid in your arms?
The black ship mail'd with iron, her mighty guns in her turrets--but the pluck of the captain and engineers? In the houses the dishes and fare and furniture--but the host and hostess, and the look out of their eyes? The sky up there--yet here or next door, or across the way? The saints and sages in history--but you yourself? Sermons, creeds, theology--but the fathomless human brain, And what is reason? One of that centripetal and centrifugal gang I turn and talk like man leaving charges before a journey.
Down-hearted doubters dull and excluded, Frivolous, sullen, moping, angry, affected, dishearten'd, atheistical, I know every one of you, I know the sea of torment, doubt, despair and unbelief. How the flukes splash! How they contort rapid as lightning, with spasms and spouts of blood!
Be at peace bloody flukes of doubters and sullen mopers, I take my place among you as much as among any, The past is the push of you, me, all, precisely the same, And what is yet untried and afterward is for you, me, all, precisely the same. I do not know what is untried and afterward, But I know it will in its turn prove sufficient, and cannot fail. Each who passes is consider'd, each who stops is consider'd, not single one can it fall.
It cannot fall the young man who died and was buried, Nor the young woman who died and was put by his side, Nor the little child that peep'd in at the door, and then drew back and was never seen again, Nor the old man who has lived without purpose, and feels it with bitterness worse than gall, Nor him in the poor house tubercled by rum and the bad disorder, Nor the numberless slaughter'd and wreck'd, nor the brutish koboo call'd the ordure of humanity, Nor the sacs merely floating with open mouths for food to slip in, Nor any thing in the earth, or down in the oldest graves of the earth, Nor any thing in the myriads of spheres, nor the myriads of myriads that inhabit them, Nor the present, nor the least wisp that is known.
What is known I strip away, I launch all men and women forward with me into the Unknown. The clock indicates the moment--but what does eternity indicate?
We have thus far exhausted trillions of winters and summers, There are trillions ahead, and trillions ahead of them. Births have brought us richness and variety, And other births will bring us richness and variety. I do not call one greater and one smaller, That which fills its period and place is equal to any.
Were mankind murderous or jealous upon you, my brother, my sister? I am sorry for you, they are not murderous or jealous upon me, All has been gentle with me, I keep no account with lamentation, What have I to do with lamentation? I am an acme of things accomplish'd, and I an encloser of things to be. My feet strike an apex of the apices of the stairs, On every step bunches of ages, and larger bunches between the steps, All below duly travel'd, and still I mount and mount.
Rise after rise bow the phantoms behind me, Afar down I see the huge first Nothing, I know I was even there, I waited unseen and always, and slept through the lethargic mist, And took my time, and took no hurt from the fetid carbon. Long I was hugg'd close--long and long. Immense have been the preparations for me, Faithful and friendly the arms that have help'd me. Cycles ferried my cradle, rowing and rowing like cheerful boatmen, For room to me stars kept aside in their own rings, They sent influences to look after what was to hold me.
Before I was born out of my mother generations guided me, My embryo has never been torpid, nothing could overlay it. For it the nebula cohered to an orb, The long slow strata piled to rest it on, Vast vegetables gave it sustenance, Monstrous sauroids transported it in their mouths and deposited it with care.
All forces have been steadily employ'd to complete and delight me, Now on this spot I stand with my robust soul. O manhood, balanced, florid and full.
My lovers suffocate me, Crowding my lips, thick in the pores of my skin, Jostling me through streets and public halls, coming naked to me at night, Crying by day, Ahoy! Old age superbly rising! O welcome, ineffable grace of dying days! Every condition promulges not only itself, it promulges what grows after and out of itself, And the dark hush promulges as much as any. I open my scuttle at night and see the far-sprinkled systems, And all I see multiplied as high as I can cipher edge but the rim of the farther systems.
Wider and wider they spread, expanding, always expanding, Outward and outward and forever outward. My sun has his sun and round him obediently wheels, He joins with his partners a group of superior circuit, And greater sets follow, making specks of the greatest inside them. There is no stoppage and never can be stoppage, If I, you, and the worlds, and all beneath or upon their surfaces, were this moment reduced back to a pallid float, it would not avail the long run, We should surely bring up again where we now stand, And surely go as much farther, and then farther and farther.
A few quadrillions of eras, a few octillions of cubic leagues, do not hazard the span or make it impatient, They are but parts, any thing is but a part. See ever so far, there is limitless space outside of that, Count ever so much, there is limitless time around that. My rendezvous is appointed, it is certain, The Lord will be there and wait till I come on perfect terms, The great Camerado, the lover true for whom I pine will be there.
I tramp a perpetual journey, come listen all! My signs are a rain-proof coat, good shoes, and a staff cut from the woods, No friend of mine takes his ease in my chair, I have no chair, no church, no philosophy, I lead no man to a dinner-table, library, exchange, But each man and each woman of you I lead upon a knoll, My left hand hooking you round the waist, My right hand pointing to landscapes of continents and the public road.
Not I, not any one else can travel that road for you, You must travel it for yourself. It is not far, it is within reach, Perhaps you have been on it since you were born and did not know, Perhaps it is everywhere on water and on land. Shoulder your duds dear son, and I will mine, and let us hasten forth, Wonderful cities and free nations we shall fetch as we go. If you tire, give me both burdens, and rest the chuff of your hand on my hip, And in due time you shall repay the same service to me, For after we start we never lie by again.
This day before dawn I ascended a hill and look'd at the crowded heaven, And I said to my spirit When we become the enfolders of those orbs, and the pleasure and knowledge of every thing in them, shall we be fill'd and satisfied then? And my spirit said No, we but level that lift to pass and continue beyond. You are also asking me questions and I hear you, I answer that I cannot answer, you must find out for yourself.
Sit a while dear son, Here are biscuits to eat and here is milk to drink, But as soon as you sleep and renew yourself in sweet clothes, I kiss you with a good-by kiss and open the gate for your egress hence.
Long enough have you dream'd contemptible dreams, Now I wash the gum from your eyes, You must habit yourself to the dazzle of the light and of every moment of your life. Long have you timidly waded holding a plank by the shore, Now I will you to be a bold swimmer, To jump off in the midst of the sea, rise again, nod to me, shout, and laughingly dash with your hair.
The boy I love, the same becomes a man not through derived power, but in his own right, Wicked rather than virtuous out of conformity or fear, Fond of his sweetheart, relishing well his steak, Unrequited love or a slight cutting him worse than sharp steel cuts, First-rate to ride, to fight, to hit the bull's eye, to sail a skiff, to sing a song or play on the banjo, Preferring scars and the beard and faces pitted with small-pox over all latherers, And those well-tann'd to those that keep out of the sun.
I teach straying from me, yet who can stray from me? I follow you whoever you are from the present hour, My words itch at your ears till you understand them. I do not say these things for a dollar or to fill up the time while I wait for a boat, It is you talking just as much as myself, I act as the tongue of you, Tied in your mouth, in mine it begins to be loosen'd.
I swear I will never again mention love or death inside a house, And I swear I will never translate myself at all, only to him or her who privately stays with me in the open air. If you would understand me go to the heights or water-shore, The nearest gnat is an explanation, and a drop or motion of waves key, The maul, the oar, the hand-saw, second my words. No shutter'd room or school can commune with me, But roughs and little children better than they.
The young mechanic is closest to me, he knows me well, The woodman that takes his axe and jug with him shall take me with him all day, The farm-boy ploughing in the field feels good at the sound of my voice, In vessels that sail my words sail, I go with fishermen and seamen and love them.
The soldier camp'd or upon the march is mine, On the night ere the pending battle many seek me, and I do not fail them, On that solemn night it may be their last those that know me seek me.
My face rubs to the hunter's face when he lies down alone in his blanket, The driver thinking of me does not mind the jolt of his wagon, The young mother and old mother comprehend me, The girl and the wife rest the needle a moment and forget where they are, They and all would resume what I have told them. And I say to mankind, Be not curious about God, For I who am curious about each am not curious about God, No array of terms can say how much I am at peace about God and about death.
I hear and behold God in every object, yet understand God not in the least, Nor do I understand who there can be more wonderful than myself. Why should I wish to see God better than this day? I see something of God each hour of the twenty-four, and each moment then, In the faces of men and women I see God, and in my own face in the glass, I find letters from God dropt in the street, and every one is sign'd by God's name, And I leave them where they are, for I know that wheresoe'er I go, Others will punctually come for ever and ever.
To his work without flinching the accoucheur comes, I see the elder-hand pressing receiving supporting, I recline by the sills of the exquisite flexible doors, And mark the outlet, and mark the relief and escape. And as to you Corpse I think you are good manure, but that does not offend me, I smell the white roses sweet-scented and growing, I reach to the leafy lips, I reach to the polish'd breasts of melons.
And as to you Life I reckon you are the leavings of many deaths, No doubt I have died myself ten thousand times before. I hear you whispering there O stars of heaven, O suns--O grass of graves--O perpetual transfers and promotions, If you do not say any thing how can I say any thing?
Of the turbid pool that lies in the autumn forest, Of the moon that descends the steeps of the soughing twilight, Toss, sparkles of day and dusk--toss on the black stems that decay in the muck, Toss to the moaning gibberish of the dry limbs.
I ascend from the moon, I ascend from the night, I perceive that the ghastly glimmer is noonday sunbeams reflected, And debouch to the steady and central from the offspring great or small. Wrench'd and sweaty--calm and cool then my body becomes, I sleep--I sleep long. I do not know it--it is without name--it is a word unsaid, It is not in any dictionary, utterance, symbol.
Something it swings on more than the earth I swing on, To it the creation is the friend whose embracing awakes me.
Perhaps I might tell more. I plead for my brothers and sisters. Do you see O my brothers and sisters? It is not chaos or death--it is form, union, plan--it is eternal life--it is Happiness. And proceed to fill my next fold of the future. Look in my face while I snuff the sidle of evening, Talk honestly, no one else hears you, and I stay only a minute longer.
Do I contradict myself? Very well then I contradict myself, I am large, I contain multitudes. I concentrate toward them that are nigh, I wait on the door-slab. Who has done his day's work? Who wishes to walk with me? Will you speak before I am gone? I too am not a bit tamed, I too am untranslatable, I sound my barbaric yawp over the roofs of the world.
The last scud of day holds back for me, It flings my likeness after the rest and true as any on the shadow'd wilds, It coaxes me to the vapor and the dusk.
I depart as air, I shake my white locks at the runaway sun, I effuse my flesh in eddies, and drift it in lacy jags.